Endless
Forms

a science-fiction myth for a post-human future

World Premiere ยท La MaMa Puppet FestivalNew York City ยท November 2026

โ†“

What seeds of humanity survive each new form,
and what will we ache to remember?

Concept sketch of Syx in their sea form โ€” a finned, post-human figure with webbed limbs and a crested head, drawn in pencil on kraft paper
Syx ยท sea form

The Show

In the next century, the human body is a cage. The state outlaws the technologies that could save Syx from the disorder slowly dissolving their bones โ€” so half a mile beneath the city, in a club no one is watching, they unfold an illegal spider-limbed carapace and dance. But a body can only be carved so far. Syx’s hunger for a new form pulls them down into the last wild place on Earth โ€” the deep Atlantic โ€” toward a commune of the transformed and its ancient, many-armed prophet, who offers a wholeness that may cost Syx the only thing they cannot give up…

From Brooklyn puppet artist Monica Lerch and writer Jeshua Bratman, Endless Forms is a handmade science-fiction myth that uses tabletop and shadow puppetry, onstage transformation, and a pulsing electronic score to ask what remains human when the body is left behind โ€” and what we will ache to remember.

There’s grandeur in this view of life
which first blew into one form or a few…
from so simple a beginning
forms most wonderful are being evolved

Performances

Part of the La MaMa Puppet Festival โ€” La MaMa Experimental Theatre Club, New York City.

Concept sketch of Ouranos โ€” an ancient octopus-like being with human eyes, drawn in pencil on kraft paper
Ouranos
Quiet colonies rooted
where others found unsuitable…
birthing new forms, new kin,
and new kinds of tenderness

About

Endless Forms grew from a collaboration between Brooklyn-based puppet artist Monica Lerch and writer Jeshua Bratman, who discovered they had been independently exploring strikingly similar questions about transformation, embodiment, technology, and myth. Lerch’s work as a director, performer, and fabricator investigates the expressive possibilities of bodies through puppetry and visual theater. Bratman brings a background in comedy, cognitive science, and speculative fiction to stories about intelligence, evolution, and the strange futures of being human. Together with a collaborative ensemble of puppeteers, designers, and fabricators, they create handmade science-fiction myth rooted in embodiment, live transformation, and the question of what remains human as forms keep changing.

A work-in-progress version was presented through the La MaMa Puppet Festival’s Jump Start Program in October 2024.

Creative Team